1 00:00:01,042 --> 00:00:01,585 YOU MADE ME GIVE UP THE FBI. 2 00:00:01,585 --> 00:00:03,128 PLEASE, JANA. 3 00:00:03,128 --> 00:00:04,713 I'M HERE FOR YOU WHEN YOU NEED ANYTHING. 4 00:00:04,713 --> 00:00:07,382 YOU'VE BEEN SO GOOD TO ME. 5 00:00:07,382 --> 00:00:09,426 WHO ARE YOU? LILY GRAY? 6 00:00:09,426 --> 00:00:11,553 I'M A WOMAN WHO HAS BEEN WAITING FOR THIS MOMENT 7 00:00:11,553 --> 00:00:13,263 FOR A VERY LONG TIME. 8 00:00:13,263 --> 00:00:15,014 AND HOW IS RYAN? 9 00:00:15,014 --> 00:00:17,058 Ryan: I'M INTERESTED IN ONE THING. 10 00:00:17,058 --> 00:00:18,686 I WANT TO KILL JOE CARROLL. 11 00:00:18,686 --> 00:00:20,980 SOMETHING TELLS ME THAT HOME, SWEET HOME, 12 00:00:20,980 --> 00:00:22,690 IS VERY CLOSE BY. 13 00:00:22,690 --> 00:00:23,691 I WANT TO SPEND SOME TIME WITH JOE 14 00:00:23,691 --> 00:00:24,942 WITHOUT INTERRUPTION. 15 00:00:24,942 --> 00:00:26,568 WHY ARE YOU BEING SO NICE TO ME? 16 00:00:26,568 --> 00:00:27,653 I LIKE YOU, EMMA. 17 00:00:27,653 --> 00:00:30,405 AND YOU LEFT ME ALL ALONE. 18 00:00:30,405 --> 00:00:32,073 - WHERE'S GISELLE? - WHERE'S JOE CARROLL? 19 00:00:38,163 --> 00:00:39,414 WHERE IS MAX? 20 00:00:39,414 --> 00:00:41,709 DEAD! I KILLED HER. 21 00:00:41,709 --> 00:00:42,751 UGH! 22 00:00:44,586 --> 00:00:45,629 NO! 23 00:00:46,922 --> 00:00:48,590 DID YOU LOCK US IN HERE? 24 00:00:48,590 --> 00:00:50,091 MOTHER DOESN'T WANT TO BE DISTURBED. 25 00:00:50,091 --> 00:00:51,092 I'M SORRY. 26 00:00:53,888 --> 00:00:54,930 WHERE HAVE YOU BEEN? 27 00:00:58,099 --> 00:00:59,935 I WILL NOT BE CONTROLLED. 28 00:00:59,935 --> 00:01:01,478 I DON'T WANT TO CONTROL YOU. 29 00:01:01,478 --> 00:01:02,604 I WOULDN'T WANT YOU IF I COULD. 30 00:02:13,092 --> 00:02:15,010 Luke: HA HA HA! 31 00:02:15,010 --> 00:02:17,012 NO. YOU'RE WAY BETTER IN BED. 32 00:02:17,012 --> 00:02:20,390 I MEAN, YOU'RE A WAY BETTER CUDDLE BUDDY THAN LAURA. 33 00:02:22,392 --> 00:02:24,770 NO. I KNOW, I KNOW. YEAH. 34 00:02:31,819 --> 00:02:34,113 - HEY, WHAT'S UP? - WHEN'D YOU GET HOME? 35 00:02:34,113 --> 00:02:35,196 UH, A LITTLE WHILE AGO. 36 00:02:36,657 --> 00:02:38,117 WHAT--WHAT'S GOING ON? 37 00:02:38,117 --> 00:02:39,743 SOMEONE--SOMEONE IN THERE WITH YOU? 38 00:02:39,743 --> 00:02:42,037 UH, YEAH. IT'S, UM-- IT'S GISELLE. 39 00:02:42,037 --> 00:02:43,162 OH. GISELLE'S BACK. AWESOME! 40 00:02:43,162 --> 00:02:45,540 HEY. LOOK, MARK. WE'RE, UH, 41 00:02:45,540 --> 00:02:46,917 KIND OF IN THE MIDDLE OF SOMETHING, YOU KNOW? 42 00:02:49,461 --> 00:02:50,587 NO. I DON'T KNOW. 43 00:02:50,587 --> 00:02:53,172 - LET ME IN. - OKAY, OKAY. 44 00:02:53,172 --> 00:02:54,716 WE DIDN'T WANT YOU TO FIND OUT THIS WAY, 45 00:02:54,716 --> 00:02:56,301 BUT, YOU KNOW, THERE'S ALWAYS BEEN 46 00:02:56,301 --> 00:02:59,304 THAT UNSPOKEN THING BETWEEN GISELLE AND I? 47 00:02:59,304 --> 00:03:01,180 WELL, WE'VE BEEN EXPLORING IT. 48 00:03:01,180 --> 00:03:02,683 WHAT ARE YOU TALKING ABOUT? 49 00:03:02,683 --> 00:03:03,684 WHAT? 50 00:03:10,315 --> 00:03:12,067 WHAT--WHAT HAPPENED? GIS-- 51 00:03:19,783 --> 00:03:21,869 SHE--SHE'S DEAD. 52 00:03:21,869 --> 00:03:24,245 NO, NO. SHE'S JUST-- SHE'S JUST SLEEPING IS ALL. 53 00:03:25,580 --> 00:03:27,457 LUKE, WHAT DID YOU DO TO HER? 54 00:03:27,457 --> 00:03:28,876 I DIDN'T DO ANYTHING. SHE'S JUST-- 55 00:03:28,876 --> 00:03:31,920 HEY, GISELLE. WAKE UP, WAKE UP. 56 00:03:31,920 --> 00:03:34,339 HEY. COME ON. WAKE UP! 57 00:03:34,339 --> 00:03:35,924 HEY. WAKE UP. COME ON. 58 00:03:35,924 --> 00:03:37,592 HEY. WAKE UP. LUKE, LUKE, SHE'S DEAD! 59 00:03:37,592 --> 00:03:39,219 DON'T SAY THAT! 60 00:03:42,056 --> 00:03:43,098 SHE'S... 61 00:03:46,852 --> 00:03:48,395 SHE'S NOT DEAD. 62 00:03:57,362 --> 00:03:58,363 WHO DID THIS? 63 00:04:00,699 --> 00:04:01,742 RYAN HARDY. 64 00:04:05,370 --> 00:04:06,538 RYAN HARDY KILLED HER. 65 00:04:17,507 --> 00:04:19,134 Mendez: LET ME GET THIS STRAIGHT 66 00:04:19,134 --> 00:04:20,427 FOR THIS TO BE A PHOTOGRAPH 67 00:04:20,427 --> 00:04:21,678 OF WHO YOU SAY IT IS, 68 00:04:21,678 --> 00:04:23,222 SOMEONE WOULD HAVE HAD TO SWAPPED 69 00:04:23,222 --> 00:04:25,099 ALL OF THE DNA RECORDS IN SENTINEL, 70 00:04:25,099 --> 00:04:26,641 BOTH DIGITAL AND HARD COPIES, 71 00:04:26,641 --> 00:04:28,143 KNOW THE EXACT WAREHOUSE WHERE 72 00:04:28,143 --> 00:04:30,353 THE PHYSICAL DNA WAS STORED, AND REPLACED IT. 73 00:04:30,353 --> 00:04:32,147 - LET ME FINISH. - AND REPLACED IT 74 00:04:32,147 --> 00:04:34,858 WITH CARROLL'S ILLEGITIMATE BROTHER'S DNA. 75 00:04:34,858 --> 00:04:36,651 LOOK, THE SHERIFF IN HAVENPORT LAST YEAR 76 00:04:36,651 --> 00:04:38,277 TIM NELSON, AKA RODERICK, 77 00:04:38,277 --> 00:04:39,696 WAS JOE CARROLL'S NUMBER TWO GUY. 78 00:04:39,696 --> 00:04:41,740 HE INFILTRATED LAW ENFORCEMENT FOR YEARS. 79 00:04:41,740 --> 00:04:43,450 THAT WAS A SHERIFF'S DEPARTMENT. 80 00:04:43,450 --> 00:04:45,077 WE'RE THE FBI. 81 00:04:45,077 --> 00:04:47,412 THERE ARE NO KILLER CULT MOLES IN THE FBI. 82 00:04:47,412 --> 00:04:49,372 THERE SEVERAL KEY MOMENTS UNACCOUNTED FOR LAST YEAR 83 00:04:49,372 --> 00:04:50,582 WHERE CARROLL'S CULT WAS AHEAD OF US. 84 00:04:50,582 --> 00:04:51,959 AND IT HAD TO HAVE BEEN A MOLE? 85 00:04:51,959 --> 00:04:53,252 IT HAD NOTHING TO DO WITH INCOMPETENCE? 86 00:04:55,670 --> 00:04:58,465 I'M SORRY. LISTEN. 87 00:04:59,716 --> 00:05:01,426 YOU'RE A CONSULTANT HERE, 88 00:05:01,426 --> 00:05:03,428 AND IF THIS CASE IS GETTING TO BE TOO MUCH FOR YOU-- 89 00:05:03,428 --> 00:05:04,429 NO. I'M FINE. 90 00:05:06,306 --> 00:05:07,432 ARE YOU SURE? 91 00:05:09,308 --> 00:05:11,103 I WAS BRIEFED. I KNOW LAST YEAR LEFT SOME SCARS, 92 00:05:11,103 --> 00:05:12,813 YOUR PSYCH EVAL'S STILL PENDING. 93 00:05:12,813 --> 00:05:15,482 ALL I'M SAYING IS THAT YOU'RE FREE TO GO HOME. 94 00:05:17,151 --> 00:05:18,693 EVERYONE HERE WOULD UNDERSTAND. 95 00:05:32,582 --> 00:05:34,334 Man on TV: AUTHORITIES ARE CONTINUING TO SEARCH 96 00:05:34,334 --> 00:05:37,336 FOR FORMER SOHO GALLERY OWNER LILY GRAY, 97 00:05:37,336 --> 00:05:39,923 WHO'S NOW UNDER SUSPICION OF BEING INVOLVED... 98 00:05:41,758 --> 00:05:43,177 HEY. RELAX. IT'S ME. 99 00:05:45,929 --> 00:05:46,930 YOU OKAY? 100 00:05:51,268 --> 00:05:52,894 YOU'VE BEEN GONE A LONG TIME. 101 00:05:52,894 --> 00:05:54,771 I HAD TO DRIVE A WAYS TO FIND A 24-HOUR PHARMACY. 102 00:05:56,023 --> 00:05:58,608 OKAY. ALL RIGHT. 103 00:05:58,608 --> 00:06:01,360 WE HAVE BANDAGES, WE HAVE PEROXIDE, 104 00:06:01,360 --> 00:06:02,487 NEEDLE AND THREAD. 105 00:06:02,487 --> 00:06:03,905 DID YOU BRING ANY VODKA? 106 00:06:03,905 --> 00:06:06,491 VERY FUNNY. 107 00:06:06,491 --> 00:06:09,995 Man on TV: SO LAW ENFORCEMENT OFFICIALS CONTINUE TO ASK THE PUBLIC FOR HELP... 108 00:06:09,995 --> 00:06:12,164 GISELLE KNEW WE WERE HERE. 109 00:06:12,164 --> 00:06:14,749 IF SHE TOLD SOMEONE, THEY'RE GONNA COME FOR US. 110 00:06:16,251 --> 00:06:17,669 GAVE THE MANAGER 50 BUCKS 111 00:06:17,669 --> 00:06:19,838 TO GIVE US A HEADS-UP IF HE SAW ANYONE. 112 00:06:19,838 --> 00:06:21,631 I'M GONNA STITCH YOU UP, WE GET OUT OF HERE. 113 00:06:23,258 --> 00:06:25,510 I BROKE INTO THAT WOMAN'S HOME. 114 00:06:25,510 --> 00:06:26,761 I TRIED TO REMOVE THE EVIDENCE, 115 00:06:26,761 --> 00:06:30,515 BUT I HAD TO MAKE A RUN FOR IT. 116 00:06:30,515 --> 00:06:33,643 LOCAL POLICE COULD BE PROCESSING IT NOW. 117 00:06:33,643 --> 00:06:36,437 I LEFT BLOOD, I LEFT CLOTHES, I LEFT PRINTS. 118 00:06:36,437 --> 00:06:38,690 IT'S GONNA TAKE TIME FOR THEM TO TIE IT TO NEW YORK 119 00:06:38,690 --> 00:06:39,858 UNLESS YOU WANT TO CALL THE FBI 120 00:06:39,858 --> 00:06:41,776 AND HELP IT ALONG, HMM. 121 00:06:46,781 --> 00:06:47,908 I THOUGHT YOU WERE DEAD. 122 00:06:49,159 --> 00:06:51,452 I KNOW, BUT I WASN'T. 123 00:06:59,544 --> 00:07:00,670 OKAY, OKAY, OKAY. 124 00:07:05,133 --> 00:07:07,386 HEY. 125 00:07:07,386 --> 00:07:09,470 HOW ABOUT YOU TAKE THE CAR AND HEAD BACK TO NEW YORK? 126 00:07:09,470 --> 00:07:11,806 NO WAY. LOOK AT YOU. 127 00:07:11,806 --> 00:07:13,683 YOU COULD BE DEAD. 128 00:07:13,683 --> 00:07:16,186 YOU STILL THINK YOU CAN DO THIS ALONE. 129 00:07:16,186 --> 00:07:17,229 I DON'T GET IT. 130 00:07:30,825 --> 00:07:31,868 IT'S WESTON. 131 00:07:31,868 --> 00:07:34,621 MIKE... IT'S ME. 132 00:07:36,706 --> 00:07:39,251 RYAN, ARE YOU ALL RIGHT? WHERE ARE YOU? 133 00:07:39,251 --> 00:07:40,585 I'M IN STRATFORD, CONNECTICUT. 134 00:07:40,585 --> 00:07:42,296 I FOUND LILY AND THE TWINS. 135 00:07:42,296 --> 00:07:43,338 YOU CALLED ME? 136 00:07:43,338 --> 00:07:45,215 YEAH. SURPRISE? 137 00:07:46,591 --> 00:07:48,635 I NEED YOUR HELP, MIKE. 138 00:07:48,635 --> 00:07:50,304 I DON'T WANT TO SCREW THIS UP. 139 00:07:50,304 --> 00:07:52,097 ARE YOU OKAY? DID--DID SOMETHING HAPPEN? 140 00:07:52,097 --> 00:07:53,848 YEAH, BUT THERE'S NO TIME. 141 00:07:53,848 --> 00:07:56,768 I'M IN A MOTEL. I'M AT OAK AND 6th, ROOM 7. 142 00:07:56,768 --> 00:07:59,604 CALL EVERYONE IN, ATF, SWAT, POLICE. 143 00:07:59,604 --> 00:08:02,065 LILY GRAY DOESN'T JUST HAVE TWINS. 144 00:08:02,065 --> 00:08:03,733 SHE'S GOT A WHOLE FAMILY. 145 00:08:03,733 --> 00:08:04,901 I DON'T KNOW HOW MANY. 146 00:08:04,901 --> 00:08:06,736 RYAN. RYAN. 147 00:08:06,736 --> 00:08:07,737 YEAH? 148 00:08:09,990 --> 00:08:10,991 IS JOE CARROLL WITH THEM? 149 00:08:12,867 --> 00:08:13,868 I'M PRETTY SURE HE IS. 150 00:08:16,246 --> 00:08:17,331 I'M ON MY WAY. 151 00:08:28,549 --> 00:08:30,051 HEH HEH. 152 00:08:32,887 --> 00:08:34,806 I COULD STAY LIKE THIS FOREVER. 153 00:08:34,806 --> 00:08:35,807 OH. 154 00:08:37,642 --> 00:08:39,353 I WOULDN'T OBJECT TO THAT. 155 00:08:39,353 --> 00:08:40,895 BUT THERE'S SO MUCH TO DO. 156 00:08:42,605 --> 00:08:45,692 YOU KNOW WE CAN'T STAY HERE. 157 00:08:45,692 --> 00:08:47,777 SOONER OR LATER, THEY'RE GONNA FIND THIS PLACE. 158 00:08:50,280 --> 00:08:51,281 DO YOU WANT A DRINK? 159 00:08:52,699 --> 00:08:53,950 YEAH, PLEASE. 160 00:09:02,583 --> 00:09:04,669 BUT I TAKE IT YOU HAVE SOMEWHERE IN MIND, HUH? 161 00:09:04,669 --> 00:09:05,920 OF COURSE I HAVE A PLAN, JOE. 162 00:09:08,548 --> 00:09:10,342 I KNEW ONCE I WAS EXPOSED TO THE WORLD 163 00:09:10,342 --> 00:09:11,718 EVERYTHING WOULD CHANGE, 164 00:09:13,845 --> 00:09:15,389 SO I'VE MADE PROVISIONS. 165 00:09:15,389 --> 00:09:16,848 - OH? - HEH HEH HEH. 166 00:09:19,851 --> 00:09:22,437 - I HAVE A PLANE. - HMM. 167 00:09:22,437 --> 00:09:23,855 IT'S AT AN AIRSTRIP NEAR HERE. 168 00:09:25,815 --> 00:09:27,150 WE COULD FLY TO BOSTON TONIGHT 169 00:09:27,150 --> 00:09:29,069 AND TAKE A PRIVATE JET TO VENEZUELA. 170 00:09:30,611 --> 00:09:32,531 I OWN AN ESTATE THERE. 171 00:09:32,531 --> 00:09:33,698 IT'S ON THE COAST. 172 00:09:34,824 --> 00:09:35,825 IT'S LOVELY. 173 00:09:37,202 --> 00:09:38,453 PHEW. HEH HEH. 174 00:09:41,039 --> 00:09:42,457 YEAH. THAT SOUNDS, UH... 175 00:09:44,334 --> 00:09:46,169 THAT SOUNDS VERY NICE, 176 00:09:46,169 --> 00:09:47,254 BUT, UM... 177 00:09:49,047 --> 00:09:50,173 WHY VENEZUELA? 178 00:09:51,758 --> 00:09:55,262 WELL, THERE'S NO EXTRADITION, FOR ONE. 179 00:09:55,262 --> 00:09:56,971 THAT ADDS A CERTAIN SAFETY. 180 00:10:01,726 --> 00:10:03,311 WE COULD GET NEW IDENTITIES. 181 00:10:04,645 --> 00:10:07,190 YOU'D WRITE, AND I'D PAINT. 182 00:10:07,190 --> 00:10:09,150 YOU'D PUBLISH UNDER A PSEUDONYM. 183 00:10:09,150 --> 00:10:11,611 IT WOULD BE JUST YOU AND ME AND THE KIDS, 184 00:10:11,611 --> 00:10:14,155 AND EMMA AND MANDY WOULD JOIN US, TOO. 185 00:10:14,155 --> 00:10:15,365 WE'D BE A FAMILY. 186 00:10:20,036 --> 00:10:21,996 THAT'S A GREAT DEAL TO CONSIDER. 187 00:10:27,419 --> 00:10:31,298 WHAT'S TO CONSIDER? IT'S PERFECT. 188 00:10:33,674 --> 00:10:36,219 WHAT OTHER OPTIONS DO YOU HAVE? 189 00:10:36,219 --> 00:10:40,599 OH. THERE'S ALWAYS OPTIONS, LILY. 190 00:10:43,017 --> 00:10:44,144 GO AWAY. 191 00:10:44,144 --> 00:10:45,686 [LOUDER KNOCKING] WHAT? 192 00:11:18,136 --> 00:11:19,179 Luke: MOM, WHERE WERE YOU? 193 00:11:43,244 --> 00:11:44,329 WHAT HAPPENED TO HER? 194 00:11:44,329 --> 00:11:45,413 Luke: RYAN HARDY KILLED HER. 195 00:11:45,413 --> 00:11:46,581 KILLED JAMEL, TOO. 196 00:11:48,875 --> 00:11:50,877 WHY DIDN'T YOU TELL ME ABOUT RYAN? 197 00:11:50,877 --> 00:11:52,587 - HOW COULD YOU HIDE THIS FROM ME? - HE SURPRISED ME! 198 00:11:52,587 --> 00:11:54,964 I WAS--I WAS IN THE MOMENT! 199 00:11:54,964 --> 00:11:56,757 I'M GONNA-- I'M GONNA KILL HIM, MOM! 200 00:11:56,757 --> 00:11:58,759 I'M GONNA KILL HIM! HE'S NOT GONNA GET AWAY WITH IT. 201 00:11:58,759 --> 00:12:00,761 HE'S--HE'S NOT GONNA-- HE'S NOT GONNA GET AWAY WITH IT. 202 00:12:00,761 --> 00:12:02,889 HE'S NOT GONNA GET AWAY WITH IT. HE'S NOT GONNA-- 203 00:12:02,889 --> 00:12:04,723 - HE'S NOT GONNA GET AWAY WITH IT! - LUKE, STOP IT! 204 00:12:07,894 --> 00:12:09,979 LOOK AT ME. 205 00:12:09,979 --> 00:12:11,439 WE HAVE TO KEEP OURSELVES TOGETHER. 206 00:12:11,439 --> 00:12:12,691 RYAN HAS TO PAY FOR WHAT HE DID. 207 00:12:12,691 --> 00:12:16,528 OH... HE WILL, 208 00:12:18,279 --> 00:12:21,115 BUT IF RYAN'S NEAR, WE ARE ALL IN DANGER, 209 00:12:21,115 --> 00:12:22,741 AND WE HAVE TO LEAVE. 210 00:12:23,910 --> 00:12:25,704 HE'S--HE'S WITH HIS NIECE. 211 00:12:25,704 --> 00:12:27,455 NO ONE ELSE. GISELLE TOLD ME. 212 00:12:27,455 --> 00:12:29,249 THEY'RE STAYING AT SOME MOTEL IN STRATFORD. 213 00:12:29,249 --> 00:12:31,792 I SHOT HIM. HE'S HURT. LET ME GO FINISH HIM OFF, MOMMY. 214 00:12:31,792 --> 00:12:32,793 - HE'S NOT GONNA-- - SHUT UP! 215 00:12:41,386 --> 00:12:43,888 GO TELL EVERYONE WE HAVE TO LEAVE AS SOON AS POSSIBLE. 216 00:12:43,888 --> 00:12:46,765 BUT DON'T MENTION RYAN HARDY TO JOE OR EMMA 217 00:12:46,765 --> 00:12:49,477 OR THAT OTHER-- WHATEVER THE HELL HER NAME IS--MANDY. 218 00:12:49,477 --> 00:12:52,146 YOU'RE WORRIED ABOUT JOE FINDING OUT? 219 00:12:52,146 --> 00:12:53,481 GISELLE IS DEAD, MOM. 220 00:12:56,651 --> 00:12:59,654 AND AS FAR AS I UNDERSTAND IT, THAT IS ENTIRELY YOUR FAULT. 221 00:13:01,448 --> 00:13:03,658 NOW IS NOT THE TIME TO TEST ME, LUKE. 222 00:13:04,783 --> 00:13:06,077 WE'RE LEAVING IN THE MORNING. 223 00:13:16,504 --> 00:13:19,674 - HOW DO YOU FEEL? - GREAT, DOC. GOOD AS NEW. 224 00:13:19,674 --> 00:13:20,717 SO WHERE'S THE CAVALRY? 225 00:13:20,717 --> 00:13:21,968 SOMETHING'S WRONG. 226 00:13:21,968 --> 00:13:23,428 IT SHOULD TAKE THE FBI 15 MINUTES 227 00:13:23,428 --> 00:13:24,803 TO GET HERE BY HELICOPTER. 228 00:13:32,186 --> 00:13:33,438 DID YOU DRIVE? 229 00:13:33,438 --> 00:13:34,897 CAN I COME IN? 230 00:13:34,897 --> 00:13:36,274 YEAH. SORRY. 231 00:13:37,525 --> 00:13:39,778 - HELLO, AGAIN. - HMM. 232 00:13:39,778 --> 00:13:40,945 YOU TWO KNOW EACH OTHER? 233 00:13:40,945 --> 00:13:43,406 Max: WE MET. BRIEFLY. 234 00:13:43,406 --> 00:13:44,658 SO WHERE IS EVERYBODY? 235 00:13:44,658 --> 00:13:46,367 WE NEED MANPOWER. 236 00:13:46,367 --> 00:13:47,535 THERE ISN'T ANYBODY ELSE. IT'S JUST ME. 237 00:13:47,535 --> 00:13:49,329 WHAT DO YOU MEAN IT'S JUST YOU? 238 00:13:49,329 --> 00:13:51,289 WE NEED ROADBLOCKS, AERIAL SEARCHES. 239 00:13:52,707 --> 00:13:54,459 I THINK THE FBI MIGHT BE COMPROMISED. 240 00:14:10,016 --> 00:14:11,518 HAVE YOU SEEN JOE? IS HE UP YET. 241 00:14:13,687 --> 00:14:15,104 IN ENGLISH, PLEASE. 242 00:14:15,104 --> 00:14:16,105 BONJOUR, EMMA. 243 00:14:17,691 --> 00:14:19,693 HAVE YOU SEEN JOE? 244 00:14:19,693 --> 00:14:22,862 HE'S IN LILY'S ROOM, WHERE HE'S BEEN ALL NIGHT. 245 00:14:22,862 --> 00:14:23,863 THEY HAD SEX. 246 00:14:25,990 --> 00:14:28,576 - WHAT? - IT WAS PRETTY INTENSE. 247 00:14:28,576 --> 00:14:30,662 THE DOORS AROUND HERE ARE THICK, AND I STILL HEARD IT. 248 00:14:32,246 --> 00:14:34,207 WHAT'S WRONG? 249 00:14:34,207 --> 00:14:35,834 NOTHING. 250 00:14:35,834 --> 00:14:38,002 REALLY? BECAUSE YOU LOOK LIKE JUST SUCKED A LEMON. 251 00:14:39,838 --> 00:14:41,255 WHY IS EVERYONE PACKING? 252 00:14:41,255 --> 00:14:42,882 I DON'T KNOW. WHY DON'T YOU ASK? 253 00:14:49,514 --> 00:14:51,432 - THAT'S JOE. - NO. THAT IS JOE. 254 00:14:51,432 --> 00:14:54,769 THE GIRL IS THE DAUGHTER OF ONE HIS PRISON PEN PALS. 255 00:14:54,769 --> 00:14:56,020 RYAN, I'M SORRY I DIDN'T BELIEVE YOU. 256 00:15:00,900 --> 00:15:02,569 SO JOE HAS SOMEONE ON THE INSIDE. 257 00:15:02,569 --> 00:15:04,945 HE HAD TO. HE WAS TIPPED OFF AT EVERY TURN. 258 00:15:04,945 --> 00:15:06,155 YOU KNOW, RODERICK WENT TO THE ACADEMY IN VIRGINIA. 259 00:15:06,155 --> 00:15:07,699 MAYBE HE CROSSED PATHS 260 00:15:07,699 --> 00:15:09,116 WITH A CADET THAT WENT ON TO THE BUREAU. 261 00:15:09,116 --> 00:15:10,577 AND THE MILITIA BOYS IN HAVENPORT, 262 00:15:10,577 --> 00:15:12,829 THEY HAD SEVERAL TIES TO THE FBI. 263 00:15:12,829 --> 00:15:15,665 NOW I WANT TO PURSUE THIS, BUT THE MINUTE I OPEN AN INVESTIGATION 264 00:15:15,665 --> 00:15:17,417 - THEY'RE GONNA KNOW-- - NO. YOU DON'T WANT TO TIP THEM OFF. YOU'RE RIGHT NOT TO. 265 00:15:17,417 --> 00:15:18,918 YOU SAID LILY AND THE TWINS WERE HERE. 266 00:15:18,918 --> 00:15:20,461 THEY'RE SOMEWHERE IN STRATFORD. 267 00:15:20,461 --> 00:15:22,046 YEAH, BUT WE DON'T HAVE AN EXACT LOCATION. 268 00:15:22,046 --> 00:15:23,297 WE'RE PRETTY SURE THEY KNOW WE'RE HERE, 269 00:15:23,297 --> 00:15:25,091 AND I THINK THEY'RE PISSED 270 00:15:25,091 --> 00:15:27,385 BECAUSE I KILLED TWO OF THEIR FAMILY. 271 00:15:27,385 --> 00:15:29,345 THEY'LL SHOW UP. 272 00:15:29,345 --> 00:15:30,889 - THAT'S YOUR PLAN? - PRETTY MUCH. 273 00:15:30,889 --> 00:15:32,432 WE NEED A BETTER PLAN. 274 00:15:32,432 --> 00:15:34,475 LOOK. WE'RE SITTING DUCKS HERE. 275 00:15:34,475 --> 00:15:36,436 WE NEED TO BE SMART ABOUT THIS. 276 00:15:36,436 --> 00:15:37,520 COME ON. LET'S GO. 277 00:15:43,150 --> 00:15:44,527 OH, NOW YOU'RE THE GENTLEMAN? 278 00:15:44,527 --> 00:15:46,070 - SORRY ABOUT THE OTHER DAY. - SAVE IT. 279 00:16:08,843 --> 00:16:10,261 EXCUSE ME, SIR. 280 00:16:10,261 --> 00:16:11,345 Mike: HEY, PUNK. 281 00:16:18,436 --> 00:16:19,479 WHAT? 282 00:16:24,275 --> 00:16:25,276 Carroll: EMMA? 283 00:16:29,489 --> 00:16:30,490 THERE YOU ARE. 284 00:16:32,826 --> 00:16:35,244 LOOK. I'M SORRY, BUT WE, UH, WE NEED TO TALK. 285 00:16:36,412 --> 00:16:37,747 IT'S QUITE URGENT. 286 00:16:39,540 --> 00:16:41,167 LILY'S LEAVING. 287 00:16:41,167 --> 00:16:42,543 I KNOW. 288 00:16:42,543 --> 00:16:44,671 YEAH. SHE WANTS US TO GO WITH HER. 289 00:16:44,671 --> 00:16:47,507 TO VENEZUELA. 290 00:16:47,507 --> 00:16:49,592 - YOU'RE KIDDING. - SHE'S GOT IT ALL WORKED OUT. 291 00:16:49,592 --> 00:16:51,678 SHE'S GOT A BIG HOUSE ON THE OCEAN, 292 00:16:51,678 --> 00:16:53,638 SHE'S OFFERING US MONEY AND PROTECTION, 293 00:16:53,638 --> 00:16:56,474 AND VENEZUELA'S GOT VERY STRONG EXTRADITION LAWS. 294 00:16:56,474 --> 00:16:57,517 SOUNDS AWESOME. 295 00:17:00,687 --> 00:17:03,147 YEAH. YEAH. GUESS IT DOES. 296 00:17:05,316 --> 00:17:08,402 AND SHE WANTS, UH-- SHE THINKS I SHOULD WRITE A NEW NOVEL. 297 00:17:12,740 --> 00:17:13,992 HAVE YOU READ IT? 298 00:17:13,992 --> 00:17:16,619 WHAT, THIS? YEAH. 299 00:17:16,619 --> 00:17:19,330 IT'S FABRICATED MYTH, HALF FACTS. 300 00:17:19,330 --> 00:17:21,666 IT'S, UH, IT'S WRETCHED. 301 00:17:23,167 --> 00:17:24,418 IN OTHER WORDS, THE TRUTH. 302 00:17:30,299 --> 00:17:32,760 YEAH. YEAH. I SUPPOSE IT IS. 303 00:17:34,929 --> 00:17:36,096 STILL HORRIBLY WRITTEN, THOUGH. 304 00:17:38,182 --> 00:17:40,184 AND YET... [SIGHS] 305 00:17:42,603 --> 00:17:45,189 IT'S STILL BETTER THAN ANYTHING I COULD WRITE. 306 00:17:47,817 --> 00:17:49,109 I'M NO WRITER. EMM... 307 00:17:51,612 --> 00:17:52,655 NEVER WAS. 308 00:17:54,448 --> 00:17:56,242 NOW IT'S HIGH TIME THAT I-- 309 00:17:56,242 --> 00:18:00,038 I STOP PRETENDING THAT I'M SOMETHING I'M NOT, 310 00:18:01,831 --> 00:18:03,374 AND I CAN'T GO TO VENEZUELA. 311 00:18:05,835 --> 00:18:08,046 I'LL ONLY DISAPPOINT A NEW GROUP OF PEOPLE. 312 00:18:13,467 --> 00:18:14,761 SO WHAT ARE YOU GOING TO DO? 313 00:18:18,097 --> 00:18:20,808 WELL, I SUSPECT 314 00:18:20,808 --> 00:18:23,227 I DON'T HAVE MUCH TIME LEFT ON THIS EARTH, 315 00:18:25,145 --> 00:18:28,524 BUT WHATEVER TIME I DO HAVE, 316 00:18:28,524 --> 00:18:30,359 I KNOW I WANT IT TO BE BETTER THAN THIS. 317 00:18:36,490 --> 00:18:39,786 - SO YOU HAVE A PLAN? - YEAH. 318 00:18:41,621 --> 00:18:44,916 YES, I DO. I HAVE AN EPIC PLAN. 319 00:18:47,627 --> 00:18:49,796 WILL IT WORK? I DON'T KNOW. HEH. 320 00:18:51,380 --> 00:18:52,799 I CAN'T PROMISE YOU ANYTHING... 321 00:18:56,677 --> 00:19:00,098 BUT I CAN PROMISE YOU MY LOYALTY. 322 00:19:01,557 --> 00:19:03,559 I'LL NEVER TAKE YOU FOR GRANTED AGAIN. 323 00:19:06,437 --> 00:19:07,814 I NEED YOU, EM. 324 00:19:10,984 --> 00:19:14,904 PLEASE WILL YOU COME WITH ME? 325 00:19:18,574 --> 00:19:21,159 I'M TIRED OF RUNNING, JOE. 326 00:19:21,159 --> 00:19:22,161 OH. 327 00:19:39,053 --> 00:19:41,430 I TOLD THE MANAGER WE WERE TAKING HIM BACK TO NEW YORK. 328 00:19:41,430 --> 00:19:43,683 HE'D PREFER WE KEEP HIS FINE ESTABLISHMENT OUT OF IT. 329 00:19:43,683 --> 00:19:45,309 THAT'S HIS CAR OVER THERE. 330 00:19:45,309 --> 00:19:47,561 LOOKS LIKE HE CAME ALONE. CAN YOU RUN HIS PLATES? 331 00:19:47,561 --> 00:19:48,813 Mike: YEAH. Luke: THEY'RE FAKE. 332 00:19:48,813 --> 00:19:53,151 YOU WON'T FIND ANYTHING. WOW. 333 00:19:53,151 --> 00:19:55,611 YOUR LIPS ARE PERFECT, YOU KNOW THAT? 334 00:19:55,611 --> 00:19:56,612 I FOUND THIS ON HIM. 335 00:19:58,698 --> 00:20:01,868 Max: SO... ANY CHANCE YOU'RE GONNA TELL US 336 00:20:01,868 --> 00:20:04,829 WHERE THAT CRAZY. MOTHER OF YOURS IS? 337 00:20:04,829 --> 00:20:07,957 SHE'S WITH JOE. 338 00:20:07,957 --> 00:20:11,836 NOW DOESN'T THAT MAKE YOU SQUIRM KNOWING YOU'RE SO CLOSE BUT NOT? 339 00:20:15,006 --> 00:20:17,341 YOU KNOW WHAT MAKES ME SQUIRM? 340 00:20:17,341 --> 00:20:20,260 THE THOUGHT OF KILLING YOU AND THEN DOING THINGS TO YOU. 341 00:20:27,018 --> 00:20:28,477 ONE MORE, PLEASE. 342 00:20:28,477 --> 00:20:30,229 YOU GOT IT. 343 00:20:30,229 --> 00:20:31,898 - MIKE! MIKE, MIKE. - REALLY? 344 00:20:41,281 --> 00:20:42,700 Ryan: HEY. YOU OKAY? 345 00:20:42,700 --> 00:20:44,202 YEAH, I'M FINE. 346 00:20:44,202 --> 00:20:45,494 YOU SURE YOU'RE UP FOR THIS? 347 00:20:45,494 --> 00:20:47,163 WE GOTTA KEEP OUR HEADS STRAIGHT. 348 00:20:47,163 --> 00:20:48,539 COMING FROM YOU, RYAN, THAT CARRIES A LOT OF WEIGHT. 349 00:20:48,539 --> 00:20:49,874 -REALLY. -NO. ALL I'M SAYING IS-- 350 00:20:49,874 --> 00:20:52,501 HEY. I GOT IT. I'M GOOD. 351 00:21:04,680 --> 00:21:07,141 HI, SWEETIE. ARE YOU ALL DONE PACKING? 352 00:21:07,141 --> 00:21:08,893 I DON'T HAVE MUCH. 353 00:21:08,893 --> 00:21:12,396 OH. YOU EXCITED TO GO TO VENEZUELA? 354 00:21:12,396 --> 00:21:13,814 I DON'T EVEN KNOW WHERE THAT IS. 355 00:21:14,982 --> 00:21:16,817 YOU'RE GONNA LOVE IT. 356 00:21:16,817 --> 00:21:18,069 MY HOUSE THERE IS MUCH NICER THAN THIS ONE, 357 00:21:18,069 --> 00:21:19,653 AND IT'S ON THE OCEAN, 358 00:21:19,653 --> 00:21:21,655 AND YOU'LL HAVE LOTS OF THINGS TO DO. 359 00:21:21,655 --> 00:21:23,908 I'VE NEVER BEEN ON AN AIRPLANE BEFORE. 360 00:21:23,908 --> 00:21:25,451 WELL, YOU'RE IN FOR A TREAT. 361 00:21:25,451 --> 00:21:26,911 I HOPE. WE REALLY HAVE TO HURRY. 362 00:21:28,246 --> 00:21:29,789 ARE YOU SURE JOE WANTS TO GO? 363 00:21:36,294 --> 00:21:37,546 HAVE YOU HEARD SOMETHING ELSE? 364 00:21:39,673 --> 00:21:40,716 NOT REALLY. 365 00:21:43,343 --> 00:21:46,139 I'D REALLY LIKE TO COME WITH YOU. 366 00:21:46,139 --> 00:21:47,890 I LIKE BEING HERE WITH YOUR FAMILY. 367 00:21:49,058 --> 00:21:50,101 SWEETHEART... 368 00:21:51,894 --> 00:21:53,271 THIS IS YOUR FAMILY, TOO, NOW. 369 00:21:55,815 --> 00:21:57,775 MAYBE YOU SHOULD TALK TO JOE. 370 00:22:01,946 --> 00:22:03,281 UM, JUST... 371 00:22:07,451 --> 00:22:11,747 [RINGING CONTINUES] EXCUSE ME. 372 00:22:18,712 --> 00:22:20,047 LUKE! 373 00:22:20,047 --> 00:22:22,591 Ryan: LUKE GOT HELD UP BY ME. 374 00:22:25,678 --> 00:22:26,971 WHERE'S MY SON? 375 00:22:26,971 --> 00:22:29,182 HE'S IN MY BACKSEAT BLEEDING. 376 00:22:29,182 --> 00:22:31,892 RYAN, WHERE ARE YOU? 377 00:22:31,892 --> 00:22:33,269 CLOSE ENOUGH THAT I COULD HAVE THE FBI ON YOU 378 00:22:33,269 --> 00:22:34,645 IN A MATTER OF MINUTES, 379 00:22:34,645 --> 00:22:37,190 BUT I THINK YOU KNOW ALL I REALLY WANT 380 00:22:37,190 --> 00:22:38,316 IS JOE CARROLL. 381 00:22:38,316 --> 00:22:41,152 IF ANYTHING HAPPENS TO MY SON, 382 00:22:41,152 --> 00:22:43,487 THERE WILL BE NO END TO YOUR SUFFERING. 383 00:22:43,487 --> 00:22:45,323 DON'T BE SO MELODRAMATIC. 384 00:22:45,323 --> 00:22:47,033 I WANT TO MAKE A TRADE-- 385 00:22:47,033 --> 00:22:49,243 YOUR SON FOR JOE CARROLL. 386 00:22:52,370 --> 00:22:54,123 SO LISTEN CLOSE. 387 00:22:54,123 --> 00:22:56,125 THERE'S A DAM OFF ROUTE 22. 388 00:22:56,125 --> 00:22:58,127 THE ROAD'S CLOSED. I'LL BE WAITING. 389 00:22:58,127 --> 00:23:01,088 YOU CROSS ME, AND I WILL KILL LUKE 390 00:23:01,088 --> 00:23:04,133 JUST LIKE I KILLED YOUR OTHER TWO SICK PSYCHO KIDS. 391 00:23:06,760 --> 00:23:07,761 I'LL BE THERE. 392 00:23:21,525 --> 00:23:22,651 ALL PACKED? 393 00:23:22,651 --> 00:23:25,071 YEAH. READY. ANY PROBLEMS? 394 00:23:25,071 --> 00:23:27,656 NO PROBLEMS. I BROUGHT YOU LUNCH. 395 00:23:27,656 --> 00:23:29,158 OH. HMM. LOVELY. 396 00:23:31,952 --> 00:23:33,954 - OKAY. THE TRUTH. - HMM? 397 00:23:33,954 --> 00:23:36,040 EVERYTHING'S NOT ALL RIGHT. 398 00:23:36,040 --> 00:23:38,376 - WHAT'S WRONG? - RYAN HARDY'S IN TOWN. 399 00:23:39,585 --> 00:23:40,920 AND YOU KNOW THIS HOW? 400 00:23:40,920 --> 00:23:43,130 BECAUSE HE FOLLOWED GISELLE TO A NEARBY TOWN 401 00:23:43,130 --> 00:23:44,173 AND HE KILLED HER. 402 00:23:46,008 --> 00:23:47,260 HE KILLED HER? 403 00:23:47,260 --> 00:23:50,054 YES. HE STABBED HER IN THE CHEST. 404 00:23:50,054 --> 00:23:51,097 SHE WAS VERY DEAR TO ME. 405 00:23:52,306 --> 00:23:57,186 SO RYAN HARDY IS NEARBY. 406 00:23:57,186 --> 00:24:01,274 YES, AND HE'S TAKEN LUKE CAPTIVE. 407 00:24:01,274 --> 00:24:04,402 HE'S OFFERED A DEAL, A TRADE REALLY. 408 00:24:05,443 --> 00:24:07,445 YOU FOR MY SON. 409 00:24:10,199 --> 00:24:11,575 LET ME KNOW WHERE HE IS, 410 00:24:11,575 --> 00:24:14,245 AND I'LL--I'LL TAKE CARE OF HIM. 411 00:24:16,330 --> 00:24:18,040 I'M AFRAID I CAN'T ALLOW THAT. 412 00:24:20,418 --> 00:24:23,296 I'VE SACRIFICED TOO MUCH, JOE. 413 00:24:23,296 --> 00:24:24,922 I'M NOT WILLING TO GIVE UP ON YOU. 414 00:24:26,715 --> 00:24:29,051 WHOA. DID YOU, UM-- DID YOU JUST... 415 00:24:31,137 --> 00:24:33,931 OH, YOU--YOU-- YOU--OHH--OHH! 416 00:24:36,850 --> 00:24:40,478 SHH, SHH, SHH, SHH. [GRUNTING] 417 00:24:40,478 --> 00:24:41,772 IT'S ALL RIGHT, IT'S ALL RIGHT. 418 00:24:43,523 --> 00:24:45,651 I UNDERSTAND YOU MIGHT BE A LITTLE UPSET ABOUT THIS. 419 00:24:47,611 --> 00:24:50,030 SAMI, RADMILA. 420 00:24:50,030 --> 00:24:51,240 YOU'RE CLEAR ON WHAT NEEDS TO BE DONE? 421 00:24:51,240 --> 00:24:53,075 Sami: YES. 422 00:24:53,075 --> 00:24:55,161 WE'LL SEE YOU AT THE AIRSTRIP ONCE I HAVE LUKE. 423 00:24:55,161 --> 00:24:57,495 IF EMMA AND MANDY GIVE YOU PROBLEMS, 424 00:24:57,495 --> 00:24:58,789 KILL THEM. 425 00:25:28,568 --> 00:25:30,528 -YOU AT THE DAM? - WHERE ARE YOU? 426 00:25:30,528 --> 00:25:32,239 - I'M ALMOST THERE. - HURRY. 427 00:25:36,576 --> 00:25:38,037 HAVE YOU SEEN JOE? 428 00:25:38,037 --> 00:25:39,038 NO. DID HE LEAVE WITH LILY AND MARK? 429 00:25:39,038 --> 00:25:41,123 MARK AND LILY LEFT? 430 00:25:41,123 --> 00:25:42,958 WE'RE SUPPOSED TO GO WITH SAMI AND RADMILA TO THE AIRPORT. 431 00:25:42,958 --> 00:25:44,835 WAIT. NO. AIRSTRIP. 432 00:25:44,835 --> 00:25:46,670 IT'S A SMALL PLANE THAT'S GONNA TAKE US TO THE JET! 433 00:25:46,670 --> 00:25:47,796 HOW DO YOU KNOW THIS? 434 00:25:47,796 --> 00:25:49,089 I ASK QUESTIONS, EMMA. 435 00:25:49,089 --> 00:25:51,008 LOOK. I THINK SOMETHING IS WRONG. 436 00:25:51,008 --> 00:25:52,218 HELP ME FIND JOE. 437 00:25:52,218 --> 00:25:54,011 OKAY. YOU'RE SO UPTIGHT. 438 00:25:56,972 --> 00:25:57,973 JOE? 439 00:26:03,812 --> 00:26:07,358 JOE? JOE! 440 00:26:09,318 --> 00:26:11,028 JOE! JOE! 441 00:26:11,028 --> 00:26:12,405 WHAT'S WRONG WITH HIM? 442 00:26:12,405 --> 00:26:13,989 I THINK HE'S DRUGGED. 443 00:26:13,989 --> 00:26:17,284 JOE, COME ON. COME ON. WAKE UP! JOE! 444 00:26:40,598 --> 00:26:43,018 OKAY. TIME TO SEE MOMMY. 445 00:27:11,589 --> 00:27:13,257 THAT'S NOT JOE CARROLL! 446 00:27:13,257 --> 00:27:15,675 AND YOU'RE NOT RYAN HARDY! WHERE IS HE? 447 00:27:23,225 --> 00:27:25,269 DROP YOUR GUN, LITTLE GIRL. 448 00:27:25,269 --> 00:27:26,312 NOT TILL HE DROPS HIS. 449 00:27:28,272 --> 00:27:29,731 WHERE'S JOE CARROLL? 450 00:27:29,731 --> 00:27:31,900 Lily: I REALIZED I WAS AT A DISADVANTAGE. 451 00:27:31,900 --> 00:27:33,068 LUKE'S WELL-BEING IS IMPORTANT TO ME, 452 00:27:33,068 --> 00:27:34,361 WHEREAS YOU COULDN'T CARE LESS 453 00:27:34,361 --> 00:27:36,155 WHETHER JOE CARROLL LIVES OR DIES, 454 00:27:36,155 --> 00:27:38,782 SO I NEEDED LEVERAGE. 455 00:27:38,782 --> 00:27:41,034 THE KIND GENTLEMAN HERE WAS, 456 00:27:41,034 --> 00:27:45,331 SWEET ENOUGH TO GIVE US A RIDE. 457 00:27:45,331 --> 00:27:48,666 I KNOW HOW YOU LAW PEOPLE REVERE THE INNOCENT, 458 00:27:48,666 --> 00:27:51,337 SO TELL RYAN TO GET OUT 459 00:27:51,337 --> 00:27:52,963 FROM WHEREVER HE IS HIDING. 460 00:27:52,963 --> 00:27:54,548 Max: RYAN'S NOT HERE. 461 00:27:54,548 --> 00:27:56,216 LUKE SHOT HIM, REMEMBER? 462 00:27:56,216 --> 00:27:58,051 HE CAN'T EVEN WALK. 463 00:27:58,051 --> 00:27:59,719 I KNOW YOU DIDN'T COME HERE ON YOUR OWN. 464 00:28:02,181 --> 00:28:03,182 Mike: I'M RIGHT HERE! 465 00:28:06,935 --> 00:28:07,936 DON'T HURT HIM. 466 00:28:09,813 --> 00:28:12,941 MAX... DR--DROP YOUR GUN. 467 00:28:16,862 --> 00:28:18,696 Lily: MARK, LOSE YOUR GUN. 468 00:28:28,957 --> 00:28:30,209 THROW YOUR GUN OVER THE RAILING! 469 00:28:33,253 --> 00:28:34,296 NOW! 470 00:28:39,009 --> 00:28:41,428 Max: OOPS. I GUESS I THROW LIKE A GIRL. 471 00:28:41,428 --> 00:28:42,846 GIVE ME MY BROTHER! 472 00:28:42,846 --> 00:28:44,014 Mike: HEY. COME AND GET HIM. I DARE YOU. 473 00:28:46,141 --> 00:28:49,102 YEAH. THAT'S IT. GO AHEAD. GRAB IT. 474 00:28:49,102 --> 00:28:50,854 BET MAX HAS GOT BETTER REFLEXES THAN YOU. 475 00:28:54,400 --> 00:28:56,276 COME ON! THIS GAME OF CHICKEN IS GETTING OLD. 476 00:28:56,276 --> 00:28:57,735 SOMEONE'S GOTTA MAKE A MOVE. 477 00:28:57,735 --> 00:28:59,655 I'LL MAKE A MOVE. [GROANS] 478 00:28:59,655 --> 00:29:01,407 THE CHOICE IS SIMPLE. 479 00:29:01,407 --> 00:29:03,158 THIS MAN'S LIFE FOR MY SON'S FREEDOM. 480 00:29:04,743 --> 00:29:06,286 - NO! - AAH! 481 00:29:06,286 --> 00:29:07,913 MIKE! 482 00:29:07,913 --> 00:29:09,164 TRY THAT AGAIN, BITCH! 483 00:29:16,422 --> 00:29:19,799 GIVE ME MY SON. NOW! 484 00:29:25,889 --> 00:29:26,890 Max: LET HIM GO! 485 00:29:28,267 --> 00:29:29,309 LET HIM GO! 486 00:29:30,728 --> 00:29:32,062 MUST BE AWFUL BEING THE GOOD GUYS. 487 00:29:33,772 --> 00:29:34,814 SO MANY RULES. 488 00:29:44,157 --> 00:29:46,368 I NEED AN AMBULANCE AT THE DOVER DAM. 489 00:29:46,368 --> 00:29:47,785 STAB WOUND TO THE BACK. 490 00:29:47,785 --> 00:29:48,786 GO, MIKE, GO! 491 00:30:00,340 --> 00:30:01,925 MANDY, GRAB ME THAT PERFUME. 492 00:30:06,263 --> 00:30:10,183 OKAY. OKAY. COME ON, JOE. 493 00:30:10,183 --> 00:30:12,352 COME ON. [GAGS] 494 00:30:14,187 --> 00:30:16,189 OH. ALL RIGHT. 495 00:30:16,189 --> 00:30:18,066 IT'S OKAY. I THINK LILY DRUGGED YOU. 496 00:30:19,693 --> 00:30:23,113 [COUGHS] YEAH. YEAH. OKAY. 497 00:30:23,113 --> 00:30:24,657 OKAY. WE GOT TO-- WE GOT TO GO. 498 00:30:24,657 --> 00:30:26,450 COME ON. COME ON. 499 00:30:27,951 --> 00:30:29,578 WHERE DID YOU GO? 500 00:30:29,578 --> 00:30:32,038 UH, THERE'S BEEN A CHANGE OF PLAN. 501 00:30:33,831 --> 00:30:35,709 ALL RIGHT. TURNING AROUND. RUSSIAN'S GOT A GUN. 502 00:30:39,087 --> 00:30:41,840 YOU STAY HERE UNTIL MS.LILY CALLS. 503 00:30:41,840 --> 00:30:44,384 YOU'RE NOT GONNA SHOOT ME. I'M LILY'S PET. 504 00:30:45,969 --> 00:30:46,970 OHH! [BLOOD DRIPPING] 505 00:30:49,807 --> 00:30:53,310 UNH! UNH. GET YOUR STUFF. 506 00:30:53,310 --> 00:30:54,353 COME ON. WE GOT TO GO. 507 00:30:55,395 --> 00:30:56,980 YOU REALLY SCARED ME. 508 00:30:56,980 --> 00:30:58,691 OH. TRUST, MOUSE. 509 00:31:00,484 --> 00:31:01,652 TRUST! 510 00:31:55,080 --> 00:31:56,289 AAH! [CRACK] 511 00:31:59,793 --> 00:32:03,589 UNH! [MOANING] 512 00:32:22,482 --> 00:32:23,983 ANY WORD FROM MIKE WESTON? 513 00:32:23,983 --> 00:32:25,985 NONE, BUT WE JUST GOT WORD OF A B&E 514 00:32:25,985 --> 00:32:27,696 IN A HOME IN STRATFORD, CONNECTICUT. 515 00:32:27,696 --> 00:32:29,489 WOMAN WAS HELD HOSTAGE. 516 00:32:29,489 --> 00:32:31,074 TURNED INTO A SHOOTOUT BETWEEN TWO MEN. 517 00:32:31,074 --> 00:32:32,659 STRATFORD? THAT'S ON THE NEW HAVEN LINE. 518 00:32:32,659 --> 00:32:34,787 STRATFORD POLICE PULLED PRINTS AT THE HOUSE. 519 00:32:34,787 --> 00:32:36,079 WE GOT A MATCH ON ONE OF THE TWINS 520 00:32:36,079 --> 00:32:37,497 AND THE FEMALE HARDY WAS TAILING. 521 00:32:37,497 --> 00:32:38,998 ALERT THE LOCAL POLICE. 522 00:32:38,998 --> 00:32:41,209 I WANT INTEL ON EVERY BUS AND TRAIN STATION, 523 00:32:41,209 --> 00:32:43,587 AIRFIELD, AND INTERSTATE OUT OF STRATFORD. 524 00:32:43,587 --> 00:32:45,088 CALL PHILLIPS, FILL HIM IN, AND GET ME A CHOPPER. 525 00:32:45,088 --> 00:32:46,214 ON IT. 526 00:33:27,046 --> 00:33:29,675 [GASPS] HELP! 527 00:33:29,675 --> 00:33:31,176 WHERE'S JOE CARROLL? 528 00:34:18,181 --> 00:34:21,100 HEY. HEY. HEY, HEY. 529 00:34:21,100 --> 00:34:22,936 WHERE ARE THEY GOING? WHERE ARE THEY GOING? 530 00:34:24,437 --> 00:34:26,940 LISTEN TO ME. JOE TURNED ON YOU. 531 00:34:26,940 --> 00:34:28,065 HE BETRAYED LILY. 532 00:34:29,526 --> 00:34:31,194 WHERE IS HE? 533 00:34:33,864 --> 00:34:35,072 AIRFIELD. 534 00:34:36,324 --> 00:34:37,951 TILLMAN ROAD. 535 00:34:41,204 --> 00:34:42,205 HIT REDIAL. 536 00:34:46,459 --> 00:34:47,502 Mark: EMMA! 537 00:34:47,502 --> 00:34:49,295 MARK, WHERE ARE YOU? 538 00:34:49,295 --> 00:34:51,464 WE'RE AT THE BRIDGE. IT ALL WENT TO HELL, EMMA. 539 00:34:51,464 --> 00:34:54,133 WE GOT LUKE, BUT THE FBI, THEY'RE AFTER US. 540 00:34:54,133 --> 00:34:58,263 RYAN CAME TO THE HOUSE. HE KILLED SAMI AND RADMILA. 541 00:34:58,263 --> 00:35:00,348 I HAVE JOE. WHERE IS THE AIRSTRIP? 542 00:35:00,348 --> 00:35:02,141 IT'S ON TILLMAN ROAD. 543 00:35:02,141 --> 00:35:03,852 WE'LL--WE'LL MEET YOU THERE IN 20 MINUTES. 544 00:35:05,062 --> 00:35:06,354 JUST WAIT FOR US. 545 00:35:06,354 --> 00:35:07,898 THE PILOT WILL BE READY. 546 00:35:07,898 --> 00:35:08,899 I THINK WE CAN BEAT-- 547 00:35:10,901 --> 00:35:14,780 EMMA? EMMA? 548 00:35:14,780 --> 00:35:16,698 WE NEED TO GET TO THAT PLANE BEFORE THEY DO. 549 00:35:20,077 --> 00:35:22,495 WE HAVE TO GO! WE HAVE TO GO! 550 00:35:22,495 --> 00:35:26,249 WHERE'S LUKE? [GUNSHOT] 551 00:35:26,249 --> 00:35:27,250 WHERE'S LUKE? [LILY SCREAMS] 552 00:35:36,259 --> 00:35:40,055 NO! NO, NO! 553 00:35:40,055 --> 00:35:41,723 NO! COME BACK! 554 00:35:41,723 --> 00:35:43,433 - I GOT TO GET LUKE. - NO. IT'S TOO LATE. 555 00:35:43,433 --> 00:35:45,936 DRIVE. DRIVE. DRIVE! 556 00:36:05,956 --> 00:36:07,040 AAH! 557 00:36:08,541 --> 00:36:11,878 - MIKE, STOP! - UGH! 558 00:36:11,878 --> 00:36:12,921 MIKE, STOP IT! 559 00:36:33,191 --> 00:36:35,192 Pilot: ARE YOU THE PICKUP? 560 00:36:35,192 --> 00:36:37,194 [SOUTHERN ACCENT] YEAH. WE GOT TO LEAVE RIGHT AWAY. 561 00:36:37,194 --> 00:36:38,446 I THOUGHT THERE'D BE MORE OF YOU. 562 00:36:38,446 --> 00:36:39,489 NAW. THEY'RE NOT COMING. 563 00:36:42,200 --> 00:36:43,201 WATCH YOUR STEP. 564 00:36:44,786 --> 00:36:45,829 YEAH? 565 00:36:49,041 --> 00:36:50,042 WHAT? 566 00:37:50,518 --> 00:37:51,853 -WHERE IS HE? -I DON'T KNOW. 567 00:37:51,853 --> 00:37:53,146 - WHERE IS HE? - I DON'T KNOW! 568 00:38:05,033 --> 00:38:06,659 WHERE DID HE GO? 569 00:38:06,659 --> 00:38:09,454 THE MAN GOT A CALL. HE TOLD THE GIRLS TO GET OFF. 570 00:38:09,454 --> 00:38:11,248 I WAS GOING HOME. I HAVEN'T BEEN PAID. 571 00:38:11,248 --> 00:38:12,331 OKAY. THIS MAN. 572 00:38:12,331 --> 00:38:13,792 - DID YOU RECOGNIZE HIM? - NO. 573 00:38:13,792 --> 00:38:14,876 IT WAS JOE CARROLL. 574 00:38:14,876 --> 00:38:16,753 JOE CARROLL? THE KILLER GUY? 575 00:38:16,753 --> 00:38:18,421 - HE'S DEAD, ISN'T HE? - ALL RIGHT, GUYS. 576 00:38:18,421 --> 00:38:20,257 LET'S HOLD HIM FOR QUESTIONING, PLEASE. 577 00:38:22,425 --> 00:38:25,220 HEY, HEY. LISTEN. I SAW JOE. HE'S GOT TO BE CLOSE. 578 00:38:25,220 --> 00:38:26,930 YOU NEED TO SET UP ROADBLOCKS NOW! 579 00:38:26,930 --> 00:38:30,683 IF JOE CARROLL IS ALIVE, I WILL DEAL WITH IT, NOT YOU! 580 00:38:32,477 --> 00:38:34,813 I GUESS DESTROYING YOUR OWN CAREER WASN'T ENOUGH. 581 00:38:34,813 --> 00:38:36,940 CONGRATULATIONS, RYAN. THEY ARE BOTH DONE. 582 00:38:40,443 --> 00:38:42,695 HEY. YOU OKAY? I'M SORRY. 583 00:38:42,695 --> 00:38:44,572 I'M GOOD. YOU? 584 00:38:44,572 --> 00:38:48,827 YES. I'M JUST NOT SO SURE ABOUT YOUR FRIEND WESTON. 585 00:38:48,827 --> 00:38:50,453 IT'S NOT MY BLOOD. IT'S LUKE'S. 586 00:38:52,080 --> 00:38:54,373 HE NEARLY KILLED HIM. THEY TRANSPORTED HIM 587 00:38:54,373 --> 00:38:56,042 TO A SECURE HOSPITAL IN NEW YORK. 588 00:38:56,042 --> 00:38:57,127 HE MIGHT NOT SURVIVE. 589 00:38:57,127 --> 00:38:58,170 WHAT'S GOING ON WITH YOU? 590 00:39:03,341 --> 00:39:04,509 JOE WAS HERE. 591 00:39:04,509 --> 00:39:05,510 YOU SAW HIM? 592 00:39:07,887 --> 00:39:09,222 I NEARLY HAD HIM. HE GOT AWAY. 593 00:39:09,222 --> 00:39:10,849 HE COULD BE ANYWHERE NOW. 594 00:39:10,849 --> 00:39:13,143 SOMEBODY TIPPED HIM OFF. YOU'RE RIGHT, MIKE. 595 00:39:13,143 --> 00:39:15,061 SOMEBODY INSIDE THE FBI IS HELPING HIM. 596 00:39:17,355 --> 00:39:18,606 WE CAN'T TRUST ANYBODY NOW. 597 00:39:22,359 --> 00:39:23,528 Carroll: NO. THANK YOU, JANA. 598 00:39:23,528 --> 00:39:25,363 YOU SAVED US. 599 00:39:25,363 --> 00:39:27,824 I'M IN DEBT TO YOU, AND I'LL BE IN TOUCH. 600 00:39:27,824 --> 00:39:29,826 HEH. YES. GOOD-BYE, SWEETHEART. 601 00:39:32,620 --> 00:39:34,664 - WHO'S JANA? - SHE'S JOE'S FRIEND. 602 00:39:34,664 --> 00:39:38,043 HER DAUGHTER GAVE ME THIS RING. 603 00:39:38,043 --> 00:39:40,670 JANA IS AN OLD FRIEND WITH MANY USEFUL RESOURCES. 604 00:39:40,670 --> 00:39:42,547 SHE FBI? 605 00:39:42,547 --> 00:39:44,674 NO. SHE'S MORE OF A STAY-AT-HOME MOM THESE DAYS, 606 00:39:44,674 --> 00:39:47,426 BUT SHE STILL CONSULTS OCCASIONALLY. 607 00:39:47,426 --> 00:39:49,428 SHE SAID TO HEAD WEST ON THE BACK ROADS. 608 00:39:49,428 --> 00:39:52,932 THE LOCAL POLICE HAVE STARTED BLOCKING THE MAJOR INTERSTATE. 609 00:39:52,932 --> 00:39:54,517 NO NEED TO WORRY. WE HAVE PLENTY OF TIME. 610 00:39:59,522 --> 00:40:00,940 [CELL PHONE RINGING] IT'S LILY. 611 00:40:00,940 --> 00:40:03,151 WELL, PUT HER ON SPEAKER. 612 00:40:05,945 --> 00:40:07,197 HELLO, LILY. 613 00:40:07,197 --> 00:40:08,698 Lily: YOU GOT AWAY? 614 00:40:08,698 --> 00:40:12,285 [CRYING] THE FBI's ALL OVER THE AIRSTRIP. 615 00:40:12,285 --> 00:40:13,786 WE COULDN'T GET CLOSE. 616 00:40:13,786 --> 00:40:15,205 NO. WE'RE FINE. 617 00:40:15,205 --> 00:40:16,539 THEY KILLED LUKE. 618 00:40:19,042 --> 00:40:21,878 - THEY KILLED MY SON. - YEAH. 619 00:40:21,878 --> 00:40:24,381 YEAH. I KNOW THAT MEANS SOMETHING TO YOU, LILY, 620 00:40:24,381 --> 00:40:26,549 BUT FRANKLY, 621 00:40:26,549 --> 00:40:28,426 I WAS NEVER FOND OF THE BOY. 622 00:40:32,430 --> 00:40:33,848 - WHAT? - YEAH. YOU DRUGGED ME. 623 00:40:35,016 --> 00:40:36,268 YOU TRIED TO CONTROL ME. 624 00:40:36,268 --> 00:40:37,560 AS FAR AS I'M CONCERNED, 625 00:40:37,560 --> 00:40:40,563 YOU ARE GETTING EXACTLY WHAT YOU DESERVED. 626 00:40:43,482 --> 00:40:44,817 YOU UNGRATEFUL BASTARD. 627 00:40:46,444 --> 00:40:47,820 I GAVE UP EVERYTHING FOR YOU. 628 00:40:48,988 --> 00:40:50,615 I LOST MY SON. 629 00:40:51,991 --> 00:40:53,952 AH. I'M DONE WITH YOU, LILY, 630 00:40:53,952 --> 00:40:56,329 YOU AND YOUR INTERNATIONAL HOUSE OF PSYCHOS. 631 00:40:57,914 --> 00:40:59,124 YOU DON'T MEAN THAT. 632 00:40:59,124 --> 00:41:01,918 OH, YES. YES, I DO, 633 00:41:01,918 --> 00:41:04,629 AND I ALSO MEAN THIS. GOOD-BYE. 634 00:41:07,173 --> 00:41:09,467 YOU KNOW, SHE'S A BIT OF A DRAMA QUEEN. 635 00:41:09,467 --> 00:41:10,509 HA HA HA! 636 00:41:10,509 --> 00:41:11,510 AAH! 637 00:41:22,605 --> 00:41:24,732 YOU ALL RIGHT, MOTHER? 638 00:41:24,732 --> 00:41:27,068 YOU--LOOK. LET ME--LET ME-- AAH! 639 00:41:30,488 --> 00:41:32,073 [SCREAMING] NO! 640 00:41:34,909 --> 00:41:36,786 [SCREAMING] NO! 641 00:41:37,870 --> 00:41:39,998 AAH! 642 00:41:43,626 --> 00:41:44,877 SHH. 643 00:41:47,297 --> 00:41:50,508 SHH. 644 00:41:50,508 --> 00:41:52,093 SHH. 645 00:41:53,636 --> 00:41:55,554 SHH. 646 00:42:01,560 --> 00:42:03,396 SHH. 647 00:42:03,396 --> 00:42:06,565 SHH, SHH.